UPDATED: 6/25: VTR success and Workstations at the bottom. A continuation on my “Cautionary Tales of an FCP Switcher.” Getting Caught Up on our Series As mentioned at the end of the original article, we moved our PBS series over the Adobe Premiere Pro CS6 with the reasoning that if we had to flatten a …
Creative Cow has published my latest product review of the ProMAX ONE Hero custom desktop workstation. For those of you in the market for a new Windows based workstation, this machine definitely warrants a look. Read the Review here.
Originally intended as a blog post, Creative Cow has published my latest article “A Cautionary Tale for the Final Cut Pro Switcher.” This article details our attempts to move a current series over to Avid 6, grade the series in Resolve, and how that series ended up on Adobe Premiere Pro CS6 after just three …
Some quick notes from a very VERY long day, need to get some rest so I can repeat this all again tomorrow. Some of this is third hand as I spent the day enjoying the fine folks from the Small Tree Communications booth …. Opening Bell Winner In South Hall it appears that BlackMagic …
Folks always ask me what to see at the NAB shows each year. Obviously most of my “must sees” revolve around Post Production since that is the main focus of me business, but I do try to walk the entire show at last once to see what’s out there. If you want to find me …
Biscardi Creative Media Seeks Local Freelancers in the Atlanta / Gwinnett Area Biscardi Creative Media is currently seeking multiple people to for freelance production positions at our facility. It’s possible that some may lead to a full-time position in the future. We are seeking a range of positions, however in particular we are looking for …
FOR IMMEDIATE RELEASE November 5, 2011 BUFORD, GA Biscardi Creative Media (BCM) has completed post production for season one (13 episodes) of the new PBS television series, “This American Land.” BCM Principal, Walter Biscardi, Jr. is Managing Producer and Post Production supervisor of the series which is the first to come out of their …
UPDATED WITH ACTUAL PHOTOGRAPHS AT THE BOTTOM! UPDATE 2 – New Photo showing relative size of the panel at the very bottom. Thanks to Tangent Designs for letting me introduce this to you guys. I saw the prototype at NAB this past April as of today, Tangent introduces the new Element Control Surface. As …
UPDATED 9/6/11 at the end of the article. Today we had our incredibly awesome friend Ron Anderson in the shop to test out the workflow from both Avid Media Composer and Adobe Premiere Pro using a native workflows into Resolve. The man is a colorist extraordinaire who has gone back to his roots on Davinci …
This past April while at NAB I got an interesting phone call from Chris Rose of Tangent Devices. “Where are you?” “I’m in the South Hall why?” “Come meet us outside, we want to show you something.” And just like that, I’m walking out the door to find them. I found Chris along with Andy …
I’ve been getting quite a few emails from folks asking a lot of questions about Davinci Resolve and Apple Color. Specifically, “which one is better?” That’s a loaded question for a number of reasons, but not the least of which is, they’re both just tools. Neither will make you a better colorist just …
I thought I would put together a VERY simple example of the same shot getting essentially the same treatment in these two applications so you can see how they differ on what we would generally call “secondary color enhancement.” Basically after the shot is balanced, you now go ahead and give it the “look.” …